This is going to be one of my favorite books of the this year. This book is for book lovers, for people who love stories. There is a lot of intertextuality as well as it's a good story on its own. Ali always sets her novels in the present, but history transcends the story. So if we talk about a present, we also talk about everything that came until now and how we got to be and to live in this now. “Time travel is real, Daniel said. We do it all the time. Moment to moment, minute to minute.” In this novel we focus on two main characters: Daniel Gluck and Elisabeth Demand, which are both such great names. We start with Daniel being washed up on the shore on an island. The first line of the book is: “It was the worst of times, it was the worst of times”. So we open with this rephrasing of Dickens and also as we move forward through this chapter we get an image of Shakespeare as well. If we think of someone being washed up on an island, we think of plays like “The Tempest” or “The 12th night”. We begin this novel with links to other books, and by this Ali Smith is showing us that books cannot exist on their own, they exist with regard to everything that has come before them. This is a theme that goes throughout the entire novel and it's about Daniel who teaches Elisabeth about the origins of words and how words were invented to suit our purposes throughout time and history. The beginning of the book is also a reference to another well known character and that is Peter Pan. Peter Pan and the timelesness of the island and of the children living there. Ali idealizes the idea of childhood and by going back to the past, we go back to a state of innocence, thus this obsession of youth, another current theme in the book. When Daniel meets Elisabeth he is 80 and she is about 8. He likes to tell her stories about the origins of words like Humpty Dumpty. We have so many references to literature and classic novels, in this case “Alice in Wonderland”, that are woven throughout the entire novel. Another current theme is about changing identities and discovering new identities. In this novel we do not know how the characters look like. So, therefore, it's up to the reader to build up the characters' identity. However, we find these nods related to the characters that make us think how they really look like. The ambiguity of being black or white, between being English or a foreigner is so subtle in this book.
sabato 5 novembre 2016
"Autumn" by Ali Smith
domenica 28 agosto 2016
giovedì 9 giugno 2016
Reading The Vegetarian by Han Kang, Man Booker International Prize 2016
The
Vegetarian by Han Kang
Han
Kang is a South Korean writer. She was born in a family of writers
and novelists, her brother and brother being also writers. Her novels
The Vegetarian and Human Acts are her first translated
works in English by Deborah Smith. In 2016 her novel The
Vegetarian won Man Booker International Prize and she is the
first Korean author to be nominated for the award.
§
This
book is so strange and weird at the same time. It's th first time I
am reading any Korean literature in translation, so I cannot judge it
too much. In short, it's
the story of a woman named Yeong-hye who decides to become a
vegetarian and how her family reacts to this decision. The novel is
divided into three parts, each told from the point of view of a
person who is impacted by her decision.
The
first part is narrated by her husband who describes her as plain
looking and who chose her because she was unremarkable in every
possible way. Then she suddenly had a dream. A rather bloody dream
that turn her away from meat and all animal products. In the second
part we see her through the eyes of her brother-in-law, an
unsuccessful video artist who struggles to create some vague
pornographic visions. He sees her in a total different way, an enigma
with a strong sense of self-posession and sexually attractive.
Finally, in the third part
we see her complete transformation, her struggle with mental illness
and how this affected her sister. In her sister's view she is
altogether a victim and a manipulator, a psychiatric patient who is
so capable of controlling
those around her.
It
is not a novel about becoming vegetarian. It is more about
obsessions, acting on obsessions and family relations. Despite being
a novel about Yeong-hye we never hearher perspective. It is also a
novel that makes you react against abuse, either physical or
psychological, family relations and societal norms. The writing is so
impactful and heartbreaking. So,
I'd say take 24 hours, read the novel and then make up your mind, is
it reasonable, provocative or it leaves you helpless?
lunedì 23 maggio 2016
Why
we should all be feminisits by Chimamanda Ngozi Adichie
This
is my first Adchie reading. It was such a great and fun read. A short
and effective essay on Feminism and gender and why it is so important
even today. If you download it on your kindle, it will take you about
half an hour to read it!
Adchie
was born in Nigeria in a family of six children. At 19 she leaves her
home to the USA to study Communication at
Drewel University in
Philadelphia. She is best known for her novels Purple Hibiscus
published in 2003 and nominated for The Man Booker Prize in 2004,
Americanah published in 2013 and Half a Yellow Sun
published in 2006.
This
essay is so perfectly written and presented in a simplistic manner
without any touch of negative humour thrown in to engage a live
audience. Adchie is part of the new wave of speakers making feminism
more accessible. A self proclaimed "happy feminist who does not
hate men, who likes lipstick, high heels for herself but not for
men", she adds a much needed touch of humour to the topic and
addresses the ridiculous stereotypes of a feminist.
She
presents male/female differences clearly. Her example of cooking fit
perfectly. Women are not born with a cooking gene and yet they are
expected to do so. Still, men are top chefs, making most of the
money. Evolution and culture? Male figures grow stronger and more
aggressive. And culture is the result of behaviors and beliefs that
describe a certain group. It's people who make culture and not the
other way around.
We
should all read this from highschool teenagers, University students,
adults, men and women. It should become an obligatory study part of
the curriculum. We should all be feminists.
domenica 22 maggio 2016
We should all be feminists by Chimamanda Ngozi Adichie
Favorite fragments from the book:
1. “The problem with gender is that it prescribes how we should be rather than recognizing how we are. Imagine how much happier we would be, how much freer to be our true individual selves, if we didn’t have the weight of gender expectations.”
2.“We spend too much time teaching girls to worry about what boys think of them. But the reverse is not the case. We don’t teach boys to care about being likable. We spend too much time telling girls that they cannot be angry or aggressive or tough, which is bad enough, but then we turn around and either praise or excuse men for the same reasons. All over the world, there are so many magazine articles and books telling women what to do, how to be and not to be, in order to attract or please men. There are far fewer guides for men about pleasing women.”
3.“A woman at a certain age who is unmarried, our society teaches her to see it as a deep personal failure. And a man, after a certain age isn’t married, we just think he hasn’t come around to making his pick.”
4.“We teach girls shame. “Close your legs. Cover yourself.” We make them feel as though being born female they’re already guilty of something. And so, girls grow up to be women who cannot say they have desire. They grow up to be women who silence themselves. They grow up to be women who cannot say what they truly think. And they grow up — and this is the worst thing we do to girls — they grow up to be women who have turned pretense into an art form.”
1. “The problem with gender is that it prescribes how we should be rather than recognizing how we are. Imagine how much happier we would be, how much freer to be our true individual selves, if we didn’t have the weight of gender expectations.”
2.“We spend too much time teaching girls to worry about what boys think of them. But the reverse is not the case. We don’t teach boys to care about being likable. We spend too much time telling girls that they cannot be angry or aggressive or tough, which is bad enough, but then we turn around and either praise or excuse men for the same reasons. All over the world, there are so many magazine articles and books telling women what to do, how to be and not to be, in order to attract or please men. There are far fewer guides for men about pleasing women.”
3.“A woman at a certain age who is unmarried, our society teaches her to see it as a deep personal failure. And a man, after a certain age isn’t married, we just think he hasn’t come around to making his pick.”
4.“We teach girls shame. “Close your legs. Cover yourself.” We make them feel as though being born female they’re already guilty of something. And so, girls grow up to be women who cannot say they have desire. They grow up to be women who silence themselves. They grow up to be women who cannot say what they truly think. And they grow up — and this is the worst thing we do to girls — they grow up to be women who have turned pretense into an art form.”
martedì 16 giugno 2015
Living on Mars
After so much coffee, spaceships, Martian tea, Martian potatoes, physics, chemistry and botanics, I am finally done with you Martian by Andy Weir! They say the film is better, we'll just have to wait and see!
mercoledì 4 marzo 2015
Reading now: Giovanni's Room by James Baldwin
"When David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend's return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened - while Giovanni's life descends into tragedy.
United by the theme of love, the writings in the Great Loves series span over two thousand years and vastly different worlds. Readers will be introduced to love's endlessly fascinating possibilities and extremities: romantic love, platonic love, erotic love, gay love, virginal love, adulterous love, parental love, filial love, nostalgic love, unrequited love, illicit love, not to mention lost love, twisted and obsessional love." (text from the cover of Giovanni's Room by James Baldwin, Penguin Great Love, August, 2007)
United by the theme of love, the writings in the Great Loves series span over two thousand years and vastly different worlds. Readers will be introduced to love's endlessly fascinating possibilities and extremities: romantic love, platonic love, erotic love, gay love, virginal love, adulterous love, parental love, filial love, nostalgic love, unrequited love, illicit love, not to mention lost love, twisted and obsessional love." (text from the cover of Giovanni's Room by James Baldwin, Penguin Great Love, August, 2007)
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